I didn’t think overwriting would happen in my book. I’m a re-writer, not a reviser, so instead of trimming the fat and beveling the edges and picking at each word until it’s perfect, I usually just scrap a scene completely and start over if it’s just not cutting it for me. That strategy’s worked pretty well so far; it’s like losing a document in a computer crash before you’ve saved it, but then the second time around is obviously better than the first now that your brain has had some time to work through it.
Or maybe I just think that’s the case, and I’m actually overwriting this book to death.
It’s a problem of setup. In this novel, an agonizingly specific set of events need to occur in order to send the two heroes off on their journey, and the difficulty lies in A) introducing the status quo naturally and as quickly as possible, B) getting the order of events right that change the status quo, and C) making the actions of each character leading to the next event completely believable and inevitable. All of this has proven far more complicated than I anticipated when I began planning this novel. As my friend Amber Keyser put it, “It needs to be like a raging river carrying you along, unstoppable.” (Yes, it does make me feel better to know other writers–very talented writers–also struggle with setups.) (more…)